Squirrel Food for the Powerful Soul – Part 1 of 5

Christine Cassidy FB9

 

 

 

The list of the 25 Feminist Anthems are not ranked in the article on billboard.com  by Allison Stubblebine.   I am presenting the list as Allison dropped them into the article.  The first segment is a direct quote from Allison Stubblebine’s article.   I will  quote the article description of the video, personally comment on the video,  provide a copy of the video for you to enjoy, provide the lyrics for the song, and finally I will provide herstory on the artist or group.

For me these are 25 women standing shoulder to shoulder challenging his story to make it our story.   No one is better than the other.  We are all different and we are all one.  When we stand together we are at greatest power. These women across time and tide are launching bright fireworks of defiance and love to illuminate the darkness of ignorance and oppression. 

Remember, when you look across at a female coworker you are her sister.  Sisters raise one another up.  Sisters are wise.  I go to mine for advice and warm kindness on rough day.  We as wise women stand together.  Women are stronger together.  We as wise women listen and rebuke aggressors and opposition together.  We as wise women acknowledge one another.  Be the love you want to receive in the world.  Be powerful.  Choose words powerfully.   Choose your actions powerfully.  Choose your deeds with honor and love…. as our daughters (and sons) are learning how to Love Powerfully at our hemlines.

Much of the information will be compiled from other sources.  All sources which are quoted have links to their point of origin.  All authors, bloggers, images and intellectual property is retained by the originators of said properties.  Thank You.

 

 

“”Bad Girls” – M.I.A.

M.I.A.‘s hypnotic slogan, “Live fast, die young/ Bad girls do it well,” came as a form of support for the Women To Drive movement in Saudi Arabia. Until just recently in Sept. of 2017, women were forbidden to drive motorized vehicles. “Bad Girls” and its car stunt-filled visuals predate the law change by five years. ”

by Allison Stubblebine 

“Bad Girls” song and video is a power ride of attitude and style.  M.I.A. was terrified due to all of the amazing and daring car stunts.  I could not tell that she was upended in the least by her daring stunts by M.I.A.   What a powerful woman.  Props to this rap Goddess who has a spicy silken nuanced voice.

I could not tell that  she was scared, as was stated by Kevin Apaza.   The video was an over the top mistress work ode to M.I.A.’s Lyrics, well played.  This video and the lyrics are all about power, Power, FEMALE POWER.  An excellent selection for the 25 Feminist Anthems, Allison.

 

 

Bad Girls

M.I.A.

 

Live fast, die young
Bad girls do it well
Live fast, die young
Bad girls do it well
My chain hits my chest
When I’m bangin’ on the dashboard
My chain hits my chest
When I’m bangin’ on the radio
Get back, get down
Pull me closer if you think you can hang
Hands up, hands tied
Don’t go screaming if I blow you with a bang
Suki Zuki
I’m coming in the Cherokee
Gasoline
There’s steam on the window screen
Take it, take it
World’s bouncing like a trampoline
When I get to where I’m going, gonna have you trembling
Live fast, die young
Bad girls do it well
Live fast, die young
Bad girls do it well
My chain hits my chest
When I’m banging on the dashboard
My chain hits my chest
When I’m banging on the radio
Yeah back it, back it
Yeah pull up to the bumper game
Yeah with a signal
Cover me, cause I’m changing lanes
Had a handle on it
My life, I broke it
When I get to where I’m going, gonna have you saying it
Live fast, die young
Bad girls do it well
Live fast, die young
Bad girls do it well
My chain hits my chest
When I’m banging on the dashboard
My chain hits my chest
When I’m banging on the radio
Get back, get down
Pull me closer if you think you can hang
Hands up, hands tied
Don’t go screaming if I blow you with a bang
Songwriters: Floyd Hills / Mathangi Arulpragasam / Marcella Aracia
Bad Girls lyrics © Kobalt Music Publishing Ltd., Roba Music, Reservoir Media Management Inc, Imagem Music Inc

 

M.I.A.

M.I.A.
MIA press photo 2016.png

MIA in 2016
Born Mathangi Arulpragasam
18 July 1975 (age 42)
HounslowLondon, United Kingdom
Occupation
  • rapper
  • singer
  • songwriter
  • activist
  • record producer
Home town MitchamLondonEngland
Children Ikhyd Edgar Arular Bronfman
Parent(s) Arul Pragasam
Kala Arulpragasam
Relatives Kali Arulpragasam(sister)
Sugu Arulpragasam (brother)
Website www.miauk.com
Musical career
Genres
Instruments
  • Vocals
  • drum machine
  • percussion
Years active 2000–present
Labels
Associated acts

Mathangi “Maya” Arulpragasam (born 18 July 1975), better known by her stage name M.I.A., is a British rapper, singer-songwriter, record producer, and activist. She is of Sri Lankan Tamil origin.[1] “M.I.A.” is a play on her own name and a reference to the abbreviation of Missing in Action. Her compositions combine elements of alternativedanceelectronichip hop and world music. M.I.A. began her career in 2000 as a visual artist, filmmaker and designer in west London before beginning her recording career in 2002. Since rising to prominence in early 2004 for her singles “Sunshowers” and “Galang“, charting in Canada and the UK and reaching number 11 on the BillboardHot Dance Singles Sales in the US, she has been nominated for an Academy Award, three Grammy Awards and the Mercury Prize.

She released her debut album Arular in 2005 and her second album Kala in 2007, both to wide critical acclaim. Arular charted in Norway, Belgium, Sweden, Japan and the US, where it reached number 16 on the Billboard Independent Albums chart and number three on the Dance/Electronic Albums chart. Kala was certified silver in the UK and gold in Canada and the US, where it topped the Dance/Electronic Albums chart. It also charted in several countries across Europe, in Japan and Australia. The album’s first single “Boyz” reached the Top 10 in Canada and on the Billboard Hot Dance Singles Sales in 2007, becoming her first Top 10 charting single. The single “Paper Planes” peaked in the Top 20 worldwide and reached number four on the Billboard Hot 100. “Paper Planes” was certified gold in New Zealand and three times platinum in Canada and the US where, as of November 2011, it is ranked the seventh best-selling song by a British artist in the digital era. It has become XL Recordings‘ second best-selling single to date. M.I.A.’s third album Maya was released in 2010 soon after the controversial song-film short “Born Free“. This became her highest-charting album in the UK and the US, reaching number nine on the Billboard 200, topping the Dance/Electronic Albums chart and debuting in the Top 10 in Finland, Norway, Greece and Canada. The single “XXXO” reached the Top 40 in Belgium, Spain and the UK. M.I.A. has embarked on five global headlining tours and is the founder of her own multimedia label, N.E.E.T.. Her fourth studio album, Matangi, was released in 2013, followed by AIM in 2016.

Arulpragasam’s early compositions relied heavily on the Roland MC-505music sequencer and drum machine. Her later work marked an evolution in her sound with rare instruments, electronics and unusual sound samples. Critics have acclaimed a distinctive style to her music. Lyrically incorporating a range of political, social, philosophical and cultural references that have defied existing pop music conventions, Arulpragasam was one of the first acts to come to public attention through the internet. She posted many of her songs and videos from 2002 onwards on platforms such as MySpace.

In 2001, she received an “Alternative” Turner Prize nomination for her visual art. In 2005 and 2008, M.I.A. was artist of the year by Spin and URB and Arulpragasam is named as one of the defining artists of the 2000s decade by Rolling Stone in its “Best of the Decade” list in December 2009. Time magazine named her one of the world’s 100 most influential people in 2009. Esquire magazine ranked M.I.A. on its list of the 75 most influential people of the 21st century in January 2010.”  Wikipedia

 

 

 

“Hijabi (Wrap My Hijab) – Mona Haydar

“​Mona Haydar started her music career strong with this debut track. Hailing from Flint, MI, Haydar points out that it isn’t her responsibility as a Muslim to educate the ignorant on her beliefs, “Not your exotic vacation/ I’m bored with your fascination/ I need that PayPal, PayPal, PayPal/ If you want education.” ”

by Allison Stubblebine 

 

I have known of the amazing being Mona Haydar from when she first appeared on Facebook some years back.  She came up with the most simple solution to one of the most profoundly difficult social situations in this day and age in America.  The issue is social ignorance.   Social ignorance can easily churn into fear and then bubble up into hate.  Once hate takes hold of a human heart, then  the road to recovery will seem difficult.  Mona is joining us together in creating social Love as a moral imperative to dismiss ignorance and forestall the perpetuation of fear.

Mona Haydar Gods bless her soul in her sacred effort for raising the vibration of the planet and hearts to a symphonic choir of passionate Love  for her fellow human.  All praises to Allah, Danu, Bridgit, God, Cerrenunos, Deva, Ishtar, Brahma, Rama, Krishna, Ganesh, Grandmother Sky, Wakan Tanka, Hera, and all the other names of the faces of the divine to who hear my petition to guide and protect Mona as she lifts us all to the light of Love through her supreme Love.

I had no idea she could sing.   Mona has  wonderous skills with a turn of phrase which.  She wraps her words up nicely into her singing career.  When I saw Hijabi some months ago I showed everyone I knew.  I thought this was the coolest most powerful song I had heard in quiet sometime.  I am excited to continue to follow her work beyond her ask a Muslim stands.  I would like to attend lectures given by her.  I do hope she tours.

The video is perfection, from the women gathered at the bottom of a staircase, around   Mona,  symbolizing the ever ascending lives we lead.   To the women in the dark in all manner and style of hijab and head scarves. for me the darkness symbolizes ignorance about the hijab and Islam.  I love that the women in the video are in all manner of dress and modest clothing from Burqua, to Jibāb, to Abaya, and to Headscarf.  All of the women in this video are amazing.  Thank you for empowering us as sisterhood Mona.  This is my most favored video of the collection of 25 Feminist Anthems.  I heartily agree with Allison’s selection of Hijabi!

 

 

Lyrics for Hijabi (Wrap my Hijab)

 by Mona Haydar

What that hair look like
Bet that hair look nice
Don’t that make you sweat?
Don’t that feel too tight?
Yo what yo hair look like
Bet yo hair look nice
How long your hair is

You need to get yo life
You only see Oriental
You steady working that dental
You poppin’ off at the lip
And run ya mouth like a treadmill

Not your exotic vacation
I’m bored with your fascination
I need that PayPal, PayPal, PayPal
If you want education

All around the world
Love women every shading

Be so liberated
All around the world
Love women every shading

Power run deep
So even if you hate it
I still wrap my hijab
Wrap my hijab
Wrap my hijab
Wrap, wrap my hijab
Keep swaggin’ my hijabis
Swag-swaggin’ my hijabis
Swaggin’ my hijabis
Swag-swaggin’ my hijabis

Me and my hijabi ladies
We was born in the eighties
So pretty like the Euphrates
And party like some Kuwaitis
Deeper than some diplomas
Current like some hot yoga
Takin’ back the misnomers and
Teleportin’ through trauma
Teleportin’ through trauma
Teleportin’ through trauma
I been stackin’ my karma
Nefertiti, no drama
Make a feminist planet
Women haters get banished
Covered up or not don’t ever take us for granted

All around the world
Love women every shading
Be so liberated
All around the world
Love women every shading
Power run deep
So even if you hate it
I still wrap my hijab
Wrap my hijab
Wrap my hijab
Wrap, wrap my hijab

Keep swaggin’ my hijabis
Swag-swaggin’ my hijabis
Swaggin’ my hijabis
Swag-swaggin’ my hijabis

You’re just jealous of my sisters
These Mipsters, these hippies
These prissies, these Sufis
These dreddies, these Sunnis
These Shii’s, Yemenis
Somalis, Libnanis, Pakistanis
These Soories, Sudanis
Iraqis, Punjabies
Afghanis, Yazeedis
Khaleejis, Indonesians
Egyptians, Canadians
Algerians, Nigerians
Americans, Libyans
Tunisians, Palestinians
Hidden beyond the Mekong in Laos
Senegalese, and Burkina Faso

I still wrap my hijab
Wrap my hijab
Wrap my hijab
Wrap, wrap my hijab
Keep swaggin’ my hijabis
Swag-swaggin’ my hijabis
Swaggin’ my hijabis
Swag-swaggin’ my hijabis

I still wrap my hijab
Wrap my hijab
Wrap my hijab
Wrap, wrap my hijab
Keep swaggin’ my hijabis
Swag-swaggin’ my hijabis
Swaggin’ my hijabis
Swag-swaggin’ my hijabis

 

Mona+Haydar

Mona Haydar

“BIO

Mona Haydar is a rapper, poet, activist, practitioner of Permaculture, meditator, composting devotee, mountain girl, solar power lover and a tireless God-enthusiast. She practices a life of sacred activism, poetry, contemplation and advocacy for living gently upon the Earth. She teaches classes, gives lectures, leads retreats and workshops, does readings and performs her work. She grew up in Flint, Michigan, graduated from the University of Michigan and has since lived in Damascus where she studied Arabic and Islamic spirituality then went on to live in the mountains of Northern New Mexico at Lama Foundation and then in the Redwood forest of Northern California.

Poetry and Music: Mona started writing her poetry as soon as she was old enough to write. One of her first poems in a kindergarten journal went: “I am mood. I am dude. I am Mona.” Mona transitioned from writing and performing her poetry to rap in 2015.

Her single “Hijabi” was a ground breaking debut with millions of views which featured Mona, 8 months pregnant with her second son, surrounded by an intersectional group of dynamic women as Mona sang “all around the world love women every shading” calling out racism and colorism. Mona’s second single, Dog takes on violence against women with lyrics which call out men in positions of religious authority who use their power to prey on young (and old) people.

Ask A Muslim: Mona and her husband, Sebastian set up a stand in Cambridge, Massachusetts with signs that read ‘Talk to a Muslim’ ‘free coffee and donuts’ ‘free conversation’ and ‘Ask a Muslim’ encouraging open and loving dialogue which garnered the attention of NPR, People Magazine, Al Jazeera, The Boston Globe among other media outlets.

In 2016 Mona was featured in a campaign by Microsoft called #SpreadHarmony which featured people working towards a more beautiful world.

Currently Mona is working towards her Masters in Theology. She lives in New York City with her husband, Sebastian and their two sons, Safi and Rumi.”

For more information on Mona Haydar 

 

Mona is the mother of Hope for “women round the world of every shading.  For me she is the closest being to Allah’s Hafaza for Love, though humans never become angels in the Islam.   I can only hope there is a Hafaza for Love in Islam.

I highly recommend the article on Verve about Mona that is magnificent and insightful.

 

 

 

“Thunder Thighs” – Miss Eaves

“Off the 2017 album Feminasty, “Thunder Thighs” was easily the body-posi banger of the summer. It’s impossible not to feel great when Miss Eaves declares chub as beautiful, as she raps, “Chub Rub/ The day is just heating up…/ So what?/ These boy shorts are inching up/ Thick thighs, sundress, I’m looking good.” ”

by Allison Stubblebine 

 

Goodness this video makes me grin ear to ear to ear.  Yes, that was one too many ears.  It is just that when I begin to relax my grin something else in the video goes and instills another grin on the way back down.  I LOVE this Video.  Miss Eaves is woman of wonder.  I adore her for including all ages in her video.  Thank you Miss Eaves for creating one of the true mistress works of our age.  Brilliant!   I wish I knew you personally.  You seem like an awesome Goddess.  Definitively qualifies for Allison’s 25 Feminist Anthems with an Ooooh wee !

 

 

 

Lyrics for “Thunder Thighs”

 by Miss Eaves

Chub Rub
The day is just heating up…
So what?
These boy shorts are inching up

Thick thighs, sundress, I’m looking good
Thick thighs, sundress, I’m looking good

Big Butt
These pants are tight enough
High cut
Want em to cover my gut

Mom jeans all day why you mad tho?
Mom jeans all day why you mad?

Thigh highs
Rollin on a downslide
Cause my
Thighs are thick and wide

Thick thighs they defy these tights man
Thick thighs they defy these tights

[Hook]
Thunder Thighs Thunder Thunder Thighs
Thunder Thighs Thunder Thunder Thighs
Oh my
Got them thunder thighs
Boom clack
They smack when I stride
Chub Rub
It’s hot thighs gonna touch
Chub rub
It’s hot but I’m not bothered

Thick thighs, sundress I’m looking good
Thick thighs sundress I’m looking good

Big Butt
These pants are tight enough
I’m stuck
They only go halfway up

Mom jeans all day why you mad tho?
Mom jeans all day why you mad?

[Hook]

Thighs thick
Thighs juicy…
Don’t be jealy
When my thighs shake. Ooooh wee !

Thighs thick, thunder thunder thighs thick

Thighs thick
Thighs juicy…
Don’t be jealy
When my thighs shake. Ooooh wee !

 

Miss Eaves

“Miss Eaves is the feminist sound storm of Brooklyn based multimedia artist Shanthony Exum. Her fierce femcee electro-pop-rap-dance-explosions were born as a phoenix arisen from the hot fire of both a band and romantic break-up, and she has since spread her wings and played music around the world. Miss Eaves’ brazen, patriarchy push-back, it’s my body, take-no-shit lyrics are rabid animals of honesty. “Hand down my pants I flick the bean. My boo ghost but I don’t need him. Five digits gonna make me squirm and scream. This is all on me.” She says in “Hump Day,” which was was featured on GlamourHuffington Post and Refinery 29. Her 0 fucks attitude landed her an invitation for a European tour with collaborator and friend, Surfing Leons (Belgium) as well as a tour with Wheatus and MC Frontalot. She has also killed the stage at Tomorrowland, TomorrowWorld and Dour and Les Rockomotive.

Not only a beat slayer, Miss Eaves is a paper mache addict and a bad-ass with a glue gun. A true multi-media junkie, she directs and art directs all her videos plus designs her own merchandise. Drawing inspiration from Frida Khalo, Michel Gondry, MIA, Santigold and Sia she is determined to show the world she is about that DIY life. MC Frontalot once told her: “You aren’t crafty…this is too well-made to be just crafty. You are a fabricator.” And trust, she will take you on a rollercoaster through her imagination.

Miss Eaves’ latest, Feminastyout on August 4, 2017, was a year-long labor of love produced by longtime collaborator KEISHH and recorded during a winter in Montreal, Canada, which is nasty cold. Feminasty plays on term Femi-Nazi and Janet Jackson’s line, “Ms. Jackson if you’re nasty.” It’s funny-as-fuck cutting commentary will melt your brain into a nasty pile of feminism. “All these little fuck boys All these little fuck boys. Dudes on my clit yeah, I’ve had enough boys.” This is how Miss Eaves rolls.”   Bio

 

“Amigas Cheetahs” – The Cheetah Girls

“Disney Channel was quite ahead of itself when it aired the girl-power-packed film The Cheetah Girls. The finale to the film’s sequel, The Cheetah Girls 2, upped the ante when the band enlisted the woman who was pitted against them for the entire movie to join them onstage to sing — in both English and Spanish — about sticking up for one another.”

by Allison Stubblebine 

 

Amigas Cheetas is a very happy bouncy song, as is to be expected from The House of The Mouse.  I am thrilled that Disney has created a genuine female empowerment song.  The Cheetah Girls made a funtastic bilingual tune.  Another enjoyable  and proper selection for the 25 Feminist Anthems by Allison.

For me I would have liked to have seen Disney make an effort to keep The Chettah Girls as a touring group, keeping the empowering message alive.

 

 

 

Lyrics for Amigas Cheetahs

No matter where we come from we can be ourselves and still be… one
Amigas cheetahs
Friends for life
The rhythm and each other
That’s what keeps us tight
Amigas cheetahs
Livin’ the dream
Nothing’s ever gonna come between us
Amigas
What could be any better than
Knowin’ someone will be there when
You gotta pour your heart out
Tell your secrets to
Someone who lets you be yourself
There when you need help
They’ve got your back win or lose
Amigas cheetahs
Friends for life
The rhythm and each other
That’s what keeps us tight
Amigas cheetahs
Livin’ the dream
Nothing’s ever gonna come between us
Amigas
Kickin’ it with ’em just for fun
Or when you need the 411
Someone who gives a shout out
When lose your faith
Just when you think nobody can ever understand
They’re right here to
Show you the way
Ahh, ahh, ahh, ahh
Ahh, ahh, oooooh
Friends for life
Amigas cheetahs
Friends for life
The rhythm and each other
That’s what keeps us tight
Amigas cheetahs
Livin’ the dream
Nothing’s ever gonna come between us
Amigas
Ya que estamos juntas
Estamos en un mundo
Donde somos uno por la musica
If we just believe it
You know we can be it
Nothin’ can stand in our way
Stand in our way
Amigas cheetahs
Friends for life
The rhythm and each other
That’s what keeps us tight
Amigas cheetahs
Livin’ the dream
Nothing’s ever gonna come between us
Amigas
Amigas cheetahs
Friends for life
The rhythm and each other
That’s what keeps us tight
Amigas cheetahs
Livin’ the dream
Nothing’s ever gonna come between us
Amigas
Songwriters: Jamie Houston / Will Robinson
Amigas Cheetahs lyrics © Walt Disney Music Company

 

The Cheetah Girls

The Cheetah Girls
Cheetah Girls.jpg

Adrienne BailonSabrina Bryan and Kiely Williams performing during the One World Tourin Jacksonville, Florida in October 2008
Background information
Origin United States
Genres
Years active 2003–2008
Labels
Associated acts 3LW, Raven-Symoné
Website myspace.com/thecheetahgirls
Past members

 

The Cheetah Girls were an American girl group consisting of Adrienne BailonKiely WilliamsSabrina Bryan, and Raven-Symoné. The group was created by Disney, and were made famous by the eponymous Disney Channel original filmand its sequels, The Cheetah Girls 2 and The Cheetah Girls: One World. The group has released three studio albums, Cheetah-licious ChristmasIn Concert: The Party’s Just Begun Tour, and TCG and several RIAA certified Platinum albums including, The Cheetah GirlsThe Cheetah Girls 2, and The Cheetah Girls: One World. All of their albums and soundtracks have debuted in the Billboard 200. The soundtrack to their first movie sold over 2 million copies.

The group has launched a clothing line, several perfume collections, doll lines, room decor, a book series and a video games line. The group has had three nationwide tours, Cheetah-licious Christmas TourThe Party’s Just Begun Tourand One World Tour. The Cheetah Girls grossed over US$43 million from their second tour.[1][2] They have sold over 3.6 million records worldwide with the help of producer Brennan Mills. ”

For more information see Wikipedia

 

Typical Girls” – The Slits

“British rock band The Slits were way too cool when they offered their feminist bangers to the male-dominated punk world. The song narrates ultra-lame things that typical girls are expected to do, before asking, “Who invented the typical girl?/ Who’s bringing out the new improved model?/ And there’s another marketing ploy/ Typical girl gets the typical boy.” ”

by Allison Stubblebine 

The lyrics are good and do qualify for the 25 Feminist Anthems.  I do appreciate the irony of the lead singer wearing stockings with garters for a video about typical girls.  I do appreciate at the end of the video the women of The Slits slathered  in mud and loinclothe,  then wandering off after getting a full  frontal of their mud caked breasts about mid video, thus making the antithesis of the typical girl.  The male drummer is also seen at the end of the end of the video in a row-boat sans togs.  I feel this was parity for the women getting nude.   I admit that I have a hard time with this song, as it has a hollow sound to the vocals.  I find the vocals, the recording and the edgy guitar notes nerve grating.  I am quiet sure the style of the music lends itself to further accentuating how Th Slits are NOT “typical girls”  My second to least favorite on the list, though entirely  apropos for the for the 25 Feminist Anthems selected by Allison.

 

 

 

Lyrics for Typical Girls

 by The Slits

Don’t create
Don’t rebel
Have intuition
Can’t decide
Typical girls get upset to quickly
Typical girls can’t control themselves
Typical girls are so confusing
Typical girls – you can always tell
Typical girls don’t think too clearly
Typical girls are unpredictable (predictable)
Typical girls try to be
Typical girls very well
Typical girls are looking for something
Typical girls fall under spells
Typical girls buy magazines
Typical girls feel like hell
Typical girls worry about spots, fat, and natural smells
Sniky fake smells
Typical girls try to be
Typical girls very well
Don’t create
Don’t rebel
Have intuition
Don’t drive well
Typical girls try to be
Typical girls very well
Can’t decide what clothes to wear
Typical girls are sensitive
Typical girls are emotional
Typical girls are cruel and bewitching
She’s a femme fatale
Typical girls stand by their man
Typical girls are really swell
Typical girls learn how to act shocked
Typical girls don’t rebel
Who invented the typical girl?
Who’s bringing out the new improved model?
And there’s another marketing ploy
Typical girl gets the typical boy
The typical boy gets the typical girl
The typical girl gets the typical boy
Are emotional
Songwriters: Ariane Forster / Paloma Romero Mc Lardy / Tessa Pollitt / Viviane Katrina Albertine
Typical Girls lyrics © Sony/ATV Music Publishing LLC, BMG Rights Management US, LLC

 

The Slits Over the Years – Personality Shifts

 

The Slits
The Slits 2006-11-12.jpg

A reformed lineup of the Slits perform in November 2006
Background information
Origin London, England
Genres Post-punkdubpunk rockexperimental rock
Years active 1976–1982, 2005–2010
Labels IslandYCBSNarnack
Associated acts The Pop GroupDennis BovellNew Age Steppers
Past members Ari Up
Palmolive
Suzy Gutsy
Kate Korus
Tessa Pollitt
Viv Albertine
Budgie
Bruce Smith
Hollie Cook
Michelle Hill
NO
Anna Schulte
Adele Wilson

 

“The Slits were a British rock band formed in London in 1976 by members of the groups The Flowers of Romance and The Castrators. The group’s early line-up consisted of Ari Up (Ariane Forster) and Palmolive (a.k.a. Paloma Romero, who played briefly with Spizzenergi and later left to join The Raincoats), with Viv Albertine and Tessa Pollitt replacing founding members Kate Korus and Suzy Gutsy.[1] Their 1979 debut album, Cut, has been called one of the defining releases of the post-punk era.[2] ”  

For more from the wiki on The Slits click this link.

Advertisements

Squirrel Food for the Powerful Soul

maxresdefault

Welcome to my juicy five part series covering the 25 Top Feminist Anthems.  I just read and listened to the article posted yesterday on Billboard.com today 11/09/2017. The piece is by  .  I am breaking the list of 25 down into 5 videos per blog.  I will include comments on the videos.  I will also comment on my opinion of the music.  This should be enjoyable.

Here is the 25 Top Feminist Anthems compiled by 

  1. The Slits – “Typical Girls”
  2. Destiny’s Childe – “Independent Woman”
  3. MILCK – “Quiet”
  4. Play Swedish band – “ Cinderella”
  5. Miss Eaves – “Thunder Thighs”
  6. The Cheetah Girls – “amigas Cheetahs”
  7. Mona Haydar – “Hijabi “(Wrap my Hijab)
  8. MIA – “Bad Girls”
  9. Kesha – “Woman”
  10. Madame Ganhdi – “The Future is Female”
  11. Shea Diamond “ I am Her”
  12. Beyonce – “Flawless”
  13. No Doubt – “Just a Girl”
  14. Eurhythmics and Aretha Franklin – “Sisters are Doing it for Themselves”
  15. Hiyele Kyoko – “Girls Like Girls”
  16. Cyndie Lauper – “Girls Just Wanna Have Fun”
  17. The Regrettes “ A Living Human Girl”
  18. Bleached – “Can You Dea”l
  19. Bikini Kill – “Rebel Girl”
  20. Christina Agulera and Lil Kim -“ C’ant Hold us Down”
  21. First Aid Kit –“ You are the Problem Here”
  22. Lily Allen – “Hard Out Here”
  23. X-Rey Spex – “Oh, Bondage, Up Yours!”
  24. Fifth Harmony – “Bo$$”
  25. Tacocat – “Men Explain Things to Me”

Visioning… The Lake Isle of Innisfree by WB Yeats

The poem The Lake Isle of Innisfree in image and sound

The Lake Isle of Innisfree

by WB Yeats

almost-petting-chipmunk-e1412553627973
Squirrel with Isle in background, much like Innisfree

 

Innisfree_image

Innisfree

I will arise and go now, and go to Innisfree,

750925

Small Cabin on Innisfree, “of clay and wattles made:  Nine bean -rows will I have…”

 

And a small cabin build there, of clay and wattles made:

 

a1a424243d7643b73de0415b870eade5--printmaking-ideas-linocut-prints

A depiction, possibly a wood block of an Irish bee hive

Nine bean-rows will I have there, a hive for the honey-bee;

image325

Bee pollinating Irish Heather

And live alone in the bee-loud glade.

Peace+comes+dropping+slow

Slow dropping water over stone

 

And I shall have some peace there, for peace comes dropping slow,

Winner-Square-Moon-Evening-Image60011

Veils of Morning at Innisfree

 

Dropping from the veils of the morning to where the cricket sings;

 

cricket sings; There midnight’s all a glimmer

 

There midnight’s all a glimmer, and a noon purple glow,

 

642px-Heather_(Highlands)

Noon Purple glow, said by Yeats to be the heather reflecting upon the water at noon, from a recording of W.B. Yeats reading his poem.

And the evening full of linnet’s wings.

 

Linnet’s wings

 

 

f5af399dd26d3a030e212d2c70a3325f

always night and day

 

I will arise and go now, for always night and day

I hear the lake water lapping

I hear the lake water lapping with the low sounds by the shore;

classic-London-5

WB Yeats age 23 living in London heard  “One day on the strand I heard a little tinkle of water, so on a shop window a little jet of water balancing a ball on top.  It was an advertisement of cooling drinks. It set me thinking of Slego and lake water. ” The inspiration for  the finest of Irish poems

While I stand on the roadway, or on the pavements grey

I hear it in the deep heart’s core.

 

All images borrowed from the internet and all videos are linked to YouTube.

 

And finally

a unified copy of…

The Lake Isle of Innisfree

by WB Yeats

the-lake-isle-of-innisfree-2-728

 

 

 

SONY DSC

Red Squirrel (Acorn Thrower) in an Irish Glade

I do so ever hope that your reading of this Irish Masterwork was enhanced by my images and videos. – Acorn Thrower

Squirrelly Goodness

If you have liked any of Throwing Down Acorns blog images, individual blogs, or thoughts, then please subscribe to my blog.  Please like the individual blogs. Please comment. Please post queries.  Thanks.8299514_orig

One of my favorite images

4665b0ae4665a4a27d271015a7ef22f3

Thank you for taking your time to read my blog

tumblr_mbysix7LE71rz9sizo1_500

I really like these sewn sugar skulls.

360214,xcitefun-flying-squirrel-4

 I will be posting weekly inspirations, as I am flying off to my writing corner to work on writing my book.

 

 

Halloweeen… A modern Haunt from Spirits Long Past

 

 

what-to-do-with-pumpkins-after-halloween-2

I saw this and had to share her with you!  Quiet the Trickster.

Curious Cat Interupting the Cannibal's dinner

You will be next my furry friend!

 Nom Nom Nom!

 

the-squirrel-eating-a-pumpkin-3

 Squirrel Performing a Lobotomy

 

double-face-jack-o-lantern

Gods it sucks when my skin shrinks off of my skull, ….. soooo PAinFul!

Though not as bad a being conscious during a lobotomy?

 

extremejackolanterns14

Man it is better than  Chthulu breaking out of your skin.

 

 d1d44588a3d31b8853b8a7c11cf2fe7e--sint-maarten-jack-o-lantern

  Or turning into a demon

 

 

article-2222449-15A80E4F000005DC-784_634x480

 This interaction eventually became a superb news article, …err photo opp.

 

bdfd106485dfc1049d63a9d4f95b22df

 Here is the haunting news picture.

 

tiger squirrel

Almost as scary as the zombie squirrel is this lion squirrel.

 

mistletoe

Though this Zombie squirrel is Terrifying maybe more so than the lion.

 

grim-reaper-halloween-maze

 I thought this was Spooky Cool.

 

 

Many perspectives exist on Halloween’s formidable and sacred history.  Honestly as a Druid the one that feels the most true in my bones is from “Tlachtga: Celtic Fire Festival” by John Gilroy excerpted by newgrange.com. Here is part of the article that is on Newgrange.com

Tlachtga where the Great Fire Festival at Samhain was celebrated
Tlachtga where the Great Fire Festival at Samhain was celebrated.

As millions of children and adults participate in the fun of Halloween on the night of October 31st, few will be aware of its ancient Celtic roots in the Samhain (Samain) festival. In Celtic Ireland about 2,000 years ago, Samhain was the division of the year between the lighter half (summer) and the darker half (winter). At Samhain the division between this world and the otherworld was at its thinnest, allowing spirits to pass through.

The family’s ancestors were honoured and invited home whilst harmful spirits were warded off. People wore costumes and masks to disguise themselves as harmful spirits and thus avoid harm. Bonfires and food played a large part in the festivities. The bones of slaughtered livestock were cast into a communal fire, household fires were extinguished and started again from the bonfire. Food was prepared for the living and the dead, food for the ancestors who were in no position it eat it, was ritually shared with the less well off.

Christianity incorporated the honouring of the dead into the Christian calendar with All Saints (All Hallows) on November 1st, followed by All Souls on November 2nd. The wearing of costumes and masks to ward off harmful spirits survived as Halloween customs. The Irish emigrated to America in great numbers during the 19th century especially around the time of famine in Ireland during the 1840’s. The Irish carried their Halloween traditions to America, where today it is one of the major holidays of the year. Through time other traditions have blended into Halloween, for example the American harvest time tradition of carving pumpkins.

Two hills in the Boyne Valley were associated with Samhain in Celtic Ireland, Tlachtga and Tara. Tlachtga was the location of the Great Fire Festival which begun on the eve of Samhain (Halloween). Tara was also associated with Samhain, however it was secondary to Tlachtga in this respect.

The entrance passage to the Mound of the Hostages on the Hill of Tara is aligned with the rising sun around Samhain. The Mound of the Hostages is 4,500 to 5000 years old, suggesting that Samhain was celebrated long before the first Celts arrived in Ireland about 2,500 years ago.

Celtic Earth Works on the Hill of Tara
Celtic Earth Works on the Hill of Tara

The Diwali Festival

The Hindu Diwali (Divali, Deepavali) Festival known as the Festival of Lights occurs about the same time as Samhain. Diwali marks the Hindu New Year just as Samhain marks the Celtic New Year, could it be that Diwali and Samhain have a common root in antiquity?

Samhain / Halloween

An excerpt from Tlachtga: Celtic Fire Festival by John Gilroy.

The Festival of Samhain marked the end of the Celtic year and the beginning of the new one and as such can be seen to the equivalent of New Year’s Eve. We have seen how the Celts believed that night preceded day and so the festivities took place on the Eve of Samhain. There is no doubt that that this festival was the most important of the four Celtic Festivals. Samhain was a crucial time of year, loaded with symbolic significance for the pre-Christian Irish. The celebrations at Tlachtga may have had their origins in a fertility rite on the hill but it gathered to itself a corpus of other beliefs which crystallised at the great Fire Festival.

The perceptible, and apparent, decline in the strength of the sun at this time of year was a source of anxiety for early man and the lighting of the Winter Fires here symbolised mans attempt to assist the sun on its journey across the skies. Fire is the earthly counterpart of the sun and is a powerful and appropriate symbol to express mans helplessness in the face of the overwhelming sense of the decay of nature as the winter sets in.

Now the sun has descended into the realm of the underworld, the forces of the underworld were in the ascendency. The lord of the underworld, unfettered from the control of the sun, now walked the earth and with him travelled all those other creatures from the abode of the dead. Ghosts, fairies and a host of other non-descript creatures went with him. The Lord of the Dead in Celtic mythology can be identified as Donn.

Mythology tells us that when the invaders of Ireland known as the Miliseans landed at the Boyne, they made their way to Tara. Once there, they were advised by the Druids that they should return to their ships and sail off the shore to the length of nine waves. When they were on the sea a great storm arose which scattered their fleet. The commander of one of the ships was Donn. His ship was broken to pieces in the storm and he himself drowned along with twenty four of his comrades. He was buried on the Skellig Islands off the coast of Kerry.

Thanks  and many blessings too Newgrange.com for providing this profound article.

 

Spiorad na Samhna — Origins of Halloween

This short Irish film traces origins of Ireland’s biggest Halloween Carnival in Derry back to troubled years of 1980s. It also traces origins of Halloween to the Celtic festival of Samhain.
From Livescience.comHistory of  Halloween by Benjamin Radford, Live Science Contributor | September 18, 2017 10:40pm ETHalloween is the season for little ghosts and goblins to take to the streets, asking for candy and scaring one another silly. Spooky stories are told around fires, scary movies appear in theaters and pumpkins are expertly (and not-so-expertly) carved into jack-o’-lanterns.Recently, creepy clowns seem to be doing some real terrorizing: In August of 2016, locals in Greenville, South Carolina, reported a clown who was allegedly trying to lure children into the woods; then in September, a teen reported a knife-wielding clown in Summitville, Tennessee. Local and state officials in many areas urged people to report suspicious clown sightings. And in South Florida, some stores pulled clown costumes from their shelves and Broward County police advised people not to dress up as the masked grinners, according to the Miami Herald.In 2017, the clowning continued. A movie based on the classic Steven King story “It” was remade and released in the United States on Sept. 8. In the movie, a demon that takes the form of a clown lures children into the sewer with a red balloon. In Lititz, Pennsylvania, police responded to reports of over 20 red balloons tied to sewer grates, according to CBS News. People dressing as clowns remains a popular way to scare. Children in North Dakota, for example, were targeted in May by a knife-wielding clown with a boa constrictor and in September, Australia saw an increase of clown sightings before Halloween.Amid the silly and scary antics, Halloween is much more than just costumes and candy; in fact, the holiday has a rich and interesting history.SamhainHalloween, also known as All Hallows’ Eve, can be traced back about 2,000 years to a pre-Christian Celtic festival held around Nov. 1 called Samhain (pronounced “sah-win”), which means “summer’s end” in Gaelic, according to the Indo-European Etymological Dictionaries. [13 Halloween Superstitions & Traditions Explained]Because ancient records are sparse and fragmentary, the exact nature of Samhain is not fully understood, but it was an annual communal meeting at the end of the harvest year, a time to gather resources for the winter months and bring animals back from the pastures. Samhain is also thought to have been a time of communing with the dead, according to folklorist John Santino.”There was a belief that it was a day when spirits of the dead would cross over into the other world,” Santino told Live Science. Such moments of transition in the year have always been thought to be special and supernatural, he added.Halloween provides a safe way to play with the concept of death, Santino said. People dress up as the living dead, and fake gravestones adorn front lawns — activities that wouldn’t be tolerated at other times of the year, he said.But according to Nicholas Rogers, a history professor at York University in Toronto and author of “Halloween: From Pagan Ritual to Party Night” (Oxford University Press, 2003), “there is no hard evidence that Samhain was specifically devoted to the dead or to ancestor worship.”According to the ancient sagas, Samhain was the time when tribal peoples paid tribute to their conquerors and when the sidh [ancient mounds] might reveal the magnificent palaces of the gods of the underworld,” Rogers wrote. Samhain was less about death or evil than about the changing of seasons and preparing for the dormancy (and rebirth) of nature as summer turned to winter, he said.Though a direct connection between Halloween and Samhain has never been proven, many scholars believe that because All Saints’ Day (or All Hallows’ Mass, celebrated on Nov. 1) and Samhain, are so close together on the calendar that they influenced each other and later combined into the celebration now called Halloween.Costumes and trick-or-treatingThe tradition of dressing in costumes and trick-or-treating may go back to the practice of “mumming” and “guising,” in which people would disguise themselves and go door-to-door, asking for food, Santino said. Early costumes were usually disguises, often woven out of straw, he said, and sometimes people wore costumes to perform in plays or skits.The practice may also be related to the medieval custom of “souling” in Britain and Ireland, when poor people would knock on doors on Hallowmas (Nov. 1), asking for food in exchange for prayers for the dead.Trick-or-treating didn’t start in the United States until World War II, but American kids were known to go out on Thanksgiving and ask for food — a practice known as Thanksgiving begging, Santino said.”Mass solicitation rituals are pretty common, and are usually associated with winter holidays,” Santino said. While one tradition didn’t necessarily cause the others, they were “similar and parallel,” he said.Tricks and gamesThese days, the “trick” part of the phrase “trick or treat” is mostly an empty threat, but pranks have long been a part of the holiday.By the late 1800s, the tradition of playing tricks on Halloween was well established. In the United States and Canada, the pranks included tipping over outhouses, opening farmers’ gates and egging houses. But by the 1920s and ’30s, the celebrations more closely resembled an unruly block party, and the acts of vandalism got more serious.Some people believe that because pranking was starting to get dangerous and out of hand, parents and town leaders began to encourage dressing up and trick-or-treating as a safe alternative to doing pranks, Santino said.However, Halloween was as much a time for festivities and games as it was for playing tricks or asking for treats. Apples are associated with Halloween, both as a treat and in the game of bobbing for apples, a game that since the colonial era in America was used for fortune-telling.  Legend has it that the first person to pluck an apple from the water-filled bucket without using his or her hands would be the first to marry, …read moreChristian/Irish InfluenceSome evangelical Christians have expressed concern that Halloween is somehow satanic because of its roots in pagan ritual. However, ancient Celts did not worship anything resembling the Christian devil and had no concept of it. In fact, the Samhain festival had long since vanished by the time the Catholic Church began persecuting witches in its search for satanic cabals. And, of course, black cats do not need to have any association with witchcraft to be considered evil — simply crossing their path is considered bad luck any time of year.As for modern Halloween, Santino, writing in “American Folklore: An Encyclopedia” (Garland, 1996), noted that “Halloween beliefs and customs were brought to North America with the earliest Irish immigrants, then by the great waves of Irish immigrants fleeing the famines of the first half of the nineteenth century.  …read moreAuthor BioBenjamin Radford, Live Science ContributorBenjamin Radford is the Bad Science columnist for Live Science. He covers pseudoscience, psychology, urban legends and the science behind “unexplained” or mysterious phenomenon. Ben has a master’s degree in education and a bachelor’s degree in psychology. He is deputy editor of Skeptical Inquirer science magazine and has written, edited or contributed to more than 20 books, including “Scientific Paranormal Investigation: How to Solve Unexplained Mysteries,” “Tracking the Chupacabra: The Vampire Beast in Fact, Fiction, and Folklore” and “Investigating Ghosts: The Scientific Search for Spirits,” out in fall 2017. His website is http://www.BenjaminRadford.com.

Halloween_pumpkin_cake_2015

Jack O’ Lantern Cake

 

A powerful cadre of Nutty Wizards and Witches

 

360px-Jack-o'-Lantern_2003-10-31

Something Wicked this Way Comes

Hopefully this Jack o’Lantern will scare the Wickedness away

 

8ff51ee45177e635d573cc6ec935c7f0

Should the Pumpkin Fail then how about we go to a more traditional spirit ward?

 

So recently, as in a few days ago, I fell in love with the most magnificent tiny black cat I have ever beheld.  In honor of said cat I bring you my black cats of Halloween favored images

 

In Honor of the Best and ONLY Cat I will ever feel is Awesomamazing

 

 

halloween_raven_by_jerry8448-d839pii

I love Ravens

 

9c9c8405e3c019ddf74dbd62488e06b9

A little more squirrelly magic!

 

ea0b478d35cdc52558e52e59c781d7f9--sugar-bush-squirrels

Wizard really getting into her work.

 

bat

A Batty Pumpkin

 

 

1420712239224

Frankenpumpkin

 

 

Someone Took his Broom and Hat away!  RUN!     ……… no Really RUUUUUUN!

 

A beautifully illustrated Halloween story book with animals

 

Transformice.(Game).600.830758

spooky-night-halloween-wallpaper-wallpaper-1583604476

Better Watch out for Spirits

 

30213b6922a68cf18649b1991711b2d3--witch-hats-squirrels

Sexy-halloween-witch

Or Werewitches passing as Squirrels

 

 

80ee858552762be942b58817aa4419f1

Be sure to wear your costume to go undetected by EeVIL Spirits

 

So that you can go seeking treats in Safety

 

 

witch-witchcraft-34784486-500-375

May your Halloween be filled with Magic

 

 

cf47d1dbf49c330526127b0fad28c651--little-pumpkin-happy-halloween

 And be Happily Haunted
The Multifaith perspective on Halloween is under development as a new blog post.

The Faith of Ages… as old as a Great Oaks probably older…definitely older

 

A Druid Samhain… About My the symbol of my faith (Part 1 of 2) and my favorite holy day, Samhain (Part 2 of 2)

Part 2 of 2

 

 

Lets get right down to the Good Stuff

001

Harvest Image is from the North American Region of the Globe

pumpkins are not native to Europe.

carvedturnipby-2015-nasa-will-be-growing-turnips-and-basil-on-the-moon

Turnips were carved into lanterns for much the same purpose as pumpkins are carved and lit today.

 

squirrel-steals-carved-pumpkin-max-ellis-1

*”Turnip lanterns,” and eventually pumpkins, “usually represented supernatural beings and, were used to chase evil spirits. Guisers” , children going about protected by costume used to deceive malevolent spirits and protect the children seeking treats or if no treats were given then the children would carry “used them to scare people, while in some cases they were set on windowsills to guard homes against evil.”

 

800px-Traditional_Irish_halloween_Jack-o-lantern-497x640

 

*”This term is also used for lanterns. The first stories about a trickster that was banned” from moving on to the afterlife. “His full name, Sean na Gealai, means “John of the little moon” or, with some modifications, “Jack of the Lantern.”

*from the Vintage News article Turnip-o’-lantern: Turnips were the original Halloween decorations  Boban Docevski

 

There are  a number of different Druid Religious branches or in the more common vernacular denomination (if you are more Jedeo-christian) or tradition if yours lean pagan. There is signifigant variance in the branches of Druid ritual practices, as well as elemental relation. To that end I have found online copies of Druid Samhain rites and Nematons.  I will share them with you. I will also link t o their pages so that you can get more information on their particuar branch of the Druid Faith.

 

15pmn176

Squirrel so heavy with knowledge his weight felled a tree.

“Samhain Ritual Outline by The Druid Network

The altar is set up, food is laid and the fire prepared. Incense may be lit, music played and introductionsmade. The circle is laid out using the nearby natural resources, whether it bestones, twigs, leaves, etc. The ritual leader then casts the circle.

THE GUARDIANS
Here we ask the guardian spirits of the place and time their permission to work our ritual in their area-
Hail Guardian Spirits of this place! We come here in peace and with clear intent. We come here to celebrate Samhain. We ask, with respect, that you accept our presence. Hail Guardian Spirits ofthis place!

THE CALL FOR PEACE
May there be peace in theNorth! May there be peace in the South! May there be peace in the West! Maythere be peace in the East!

(each call for peace to be madeby the person who will be calling the quarter. If done in this order, the callfor peace will flow along the lines of the pre-Christian equal armed cross,also recognised by the Native Americans for their medicine wheels).

We who are gathered here, wecall for peace in this land. We call for peace in our hearts and minds andtowards our fellow beings.

THE CIRCLE CASTING
Sacred Ones, spirits of the birch and rowan, fir and ivy, honeysuckle and rosemary, dryads and devas, allyou who have heard our intention, we ask with respect that you encircle us know, branch reaching branch, leaf touching leaf, roots beneath our feetentangling, that our Circle may be strong, a nemeton of inspiration, reverence and learning, in the name of the Gods whose power we both breathe, we ask that this be so.

 

This slideshow requires JavaScript.

 

(A moment is given to allow the devas and dryads to form the circle)

We give our energy to this circle, mingling and communing with those of the spirits of nature to create a sanctuary of peace.

(Energy is pushed out from theparticipants to mix and strengthen the circle).

Let all here draw their mindsinto the presence of their bodies, that thoughts may be melded with flesh,blood and bones, that the spirits of those gathered may be blended in onepurpose, one voice and one sacred space. Soul to soul, we weave our circle,spirit to spirit, that none may enter this sacred space but those who come intune with our intention and in peace. Soul to soul, spirit to spirit, we askthat this may be so.

CONSECRATION
The circle is consecrated by taking incense and water around the circle.

CALLING THE QUARTERS
I call upon the Spirit of the North, the Earth Mother, the Great Bear, to be with us in our sacred rite.

I call upon the Spirit of the East, the Skyfather, the Great Eagle, to be withus in our sacred rite.

I call upon the Spirit of the South, the Firebrother, the Great Dragon, to bewith us in our sacred rite.

I call upon the Spirit of the West, the Rainsister, the Great Whale, to be with us in our sacred rite.

THE SPIRITS OF PLACE
We call to the spirits ofplace, to those of Land, Sea and Sky, to those of the three worlds to be withus in our sacred rite.

CALLING THE ANCESTORS
We call to the ancestors of body, mind and spirit to be with us in our sacred rite. To our ancestors whosetears and blood, joy and happiness have been felt upon this land, whose songscourse through our blood, and whose spirit lives on through our celebrations,we call to you to be with us in our sacred rite.

CALLING THE GODDESS AND GOD
I call upon my lady of thestars and moon
To the Bringer of dreams andtwilight
I call upon my lady of the loom
The Weaver of fates in thenight
I call upon the Lady of theLady
The Singer of the Evensong
I call upon the maiden motherand Crone
The Goddess alive and strong

I call upon the Lord of the Sun
The Rider in the sky
I call upon the Lord of theWinds
To the Eagle as he flies
I call upon the King Stag
To the son, lover and sacrifice
I call upon the Lord of theWildwood
The God laughing, free and wise

THE DECLARATION

‘We come to celebrate Samhain, the most sacred of nights, when the veil between the worlds is thin.We give thanks for all that we have, and we honour our ancestors and the deadat this time. Let us now say a prayer for our dead, that they may journey tothe Otherworld safely, and that we might know them again some day.
(Prayers and thanks are said,either out loud or internally during this time of prayer).

Let us now cast off the worries and fears that shackle us to the previous year. For behold! A new year is uponus. With the blessing and strength of the Crone of Winter, we come forth tounburden ourselves to her, in preparation for the long winter ahead. We willneed our strength and conviction to see the winter through, and with herblessing it will be done.


(The Crone of Winter, The Cailleach will stand at the northwest part of the circle, before a cauldron. She lifts the cauldron and holds it between her hands. Members of the circle come beforeThe Cailleach and cast off their ties to the old world, figuratively orliterally throwing something into the cauldron Note: This should be flammable,if literally casting something into the flames, and non-toxic when burned. Ifsimply pushing energy, feelings or emotions into the cauldron, simply standbefore it and push them away from you, letting the Crone take them into thecauldron. When finished, simply walk away, without looking back until you areback at your place.)

The Cailleach then throws thecontents of the cauldron onto the fire. The chant begins:
“The Wheel turns, the fireburns” .

The Cailleach confirms that it has been done, and all are then invited to feast.

1008_18_70-celtic-cauldron-gold

The Gundsdrp Cauldron of Plenty

Hall_Nibumbum_shs

A Samhain Feast Table

1008_18_70-celtic-cauldron-gold

The Gundsdrp Cauldron of Plenty

 

THE FEAST

The food and drink is blessed.

The ale/mead/wine/juice isblessed.

Goddess, bountiful EarthMother, bless this and suffuse it with your love.

The bread is blessed.

God, powerful Sky Father, bless this and may it lend strength to us.

The drink is held high abovethe head. Thanks be to the land! The cup is then passed to the next person, whothe toasts and passes the cup to the next person. When all have drunk the firstperson takes the cup and pours a measure onto the ground or lake. Thanks be tothe Goddess!

The bread is held out before.Thanks be to the land! The bread is then broken and passed in similar fashion.A measure of bread is then laid out. Thanks be to the God!

Everyone raises their hands tothe sky – Free the spirit, free the land!

The food comes out and everyoneis invited to celebrate! NOTE: A SPECIAL SECTION OF FOOD IS TO BE LAID OUT FOR THE DEAD ON THEIR WAY TO THE SUMMERLAND, WHICH WILL REMAIN IN THE RITUAL SITEUNTIL MORNING WHERE IT WILL THEN BE COMPOSTED, SHOULD ANYTHING REMAIN.

Poetry, artwork and music should then be shared round the circle by those who have been inspired by thismoon and this festival.

When the feasting is done,honour and respect are paid to the Goddess and God, the spirits of land, seaand sky, the ancestors, the four quarters (those who called the quarters nowbid them hail and farewell in much the same manner as they were called), thespirits of the heath and of the oak and to each other. The circle is thenclosed-

We now return the energy that we have spent in creating this circle back to our bodies and souls and the landwhich sustains us, in peace and with the blessings of the God and Goddess. (Amoment is taken to release the personal power put into the circle.)

THE CLOSING
May the Spirits of this Placehave been nourished as much as their presence has nourished us. GuardianSpirit, we give you thanks. This celebration ends in peace as it began. May the blessings we have received go with us all as we depart this place, to nourish,strengthen and sustain us until we meet again. So may it be!

The rite has ended!”

 

8c61e5f57ae13677a7ea3d2310036ed5

Guardian Squirrel on the look out for spiritual interlopers.

 

I truely wish I could provide to you a sample of an OBOD Samhain rite.  OBOD celebrates eight religious festivals as per the wheel of the year. I cannot find one anywhere and I spent four hours searching.  Order of Bards, Ovates, and Druids (OBOD)

OBOD is in its 52 year as an international organization.  I believe they provided a Druid  to provide the opening blessing and invocation for the 2012 para olympics. The ritual of Fire was profound and amazing.  I have a deep and abiding respect for this organization, even though our beliefs do vary.

Order of Bards, Ovates, and Druids

About The Order

The Order of Bards, Ovates & Druids is a worldwide group of over twenty thousand members in fifty countries, dedicated to practising, teaching, and developing Druidry as a valuable and inspiring spirituality.

The Order was founded in Britain over 50 years ago by the historian and poet Ross Nichols, aided by the writer and founder of the Tolkien Society Vera Chapman, and fellow members of the Ancient Druid Order, which developed during the early years of the last century out of the Druid Revival which began about three hundred years ago. Read more

OBAD has a Facebook page 52,560 followers! That is quiet a bit more that their reported twenty thousand members.

I suspect that OBOD has no video, nor print medium for their Samhain, due to the fact Samhain is the holiest of holy days.

black squirrel 13

A total Blackout of a squirrel for OBOD Samhain rite!

 

 

 

Ár nDraíocht Féin: A Druid Fellowship

Ár nDraíocht Féin: A Druid Fellowship is a very different branch of Druid. The functional english translation of Ár nDraíocht Féin is  “Our own brand of Druidism”  They too regard the wheel to celebrate their holy days.  Ár nDraíocht Féin has a different perspective on the Sacred profundity of Samhain, thus many rituals are published online.

Here are a few:

Stone Creed Samhain Rite

A: The Statement of Purpose and Precedent

We gather here on the Feast of Samhain, the End and Beginning of the Sacred Year, the Time of Turning when the Dark Time begins. This is the Last Harvest. The fields lie empty, sinking into Winter^s Sleep and our larders hold what gain we have reaped from our labors.

As our forebearers did, so do we do now, and so may our descendants do in time to come. We are here to offer worship to the Lord of the House of the Dead and to the Queen of Phantoms; to the Gods, the Dead and the Sidhe; and especially to our honored dead here on the Feast of the Dead.

We offer to Donn the Dark One, the Antlered God who offers hospitality and peace to those bound for the Ancestors’ Country. We offer to Morrigan, the Great Queen of Battle and Sorcery; the Old Woman of Death and the Cauldron of Rebirth.

In this Season of Death we honor the Holy Dead as the ancients did, and we seek the Seed that will wait in the Womb of Winter. Now let us open the Ways Between…

B: Honoring the Patron Deities

To the Gods, the Dead and the Sidhe we offer welcome. All you Spirits who gather here with us, join now to honor the Patrons of our rite.

On the Night of the Scythe and the Skull, the honor-feast of Summer’s End, let us worship the Dark One and the Great Queen.

 

The Invocation of Donn

In the season of darkening, the Lord of the House of Death receives the Spirits in his Hall. He is Donn the Dark One, called Cernunnos the Horned One. He is the First Ancestor, the Torc Bearer, The Guardian of the Cauldron of Plenty.Hear us now, Horned One, Dark one, Receiver of the Dead, Granter of Rest, Patron of the Feast in the Land of the Dead. We your children pray you to come in, to let your gaze fall upon this Sacred Ground, to indwell our rite and give us your blessing.

We make due offering to you. We give you…

(offering made into shaft or offering bowl.)

Silver, that you grant the wealth of the Underworld, Source of All Potential.

(offering made to the Fire)

Oil, that the richness of the Land be renewed as our own lives are renewed.

(offering placed at the foot of the Tree)

Horn, that the beings who know you may bless us in the Season of Hunting.

Be welcome among us, Donn; Dark One, accept our sacrifice!

8cbc6902dd7665fe1d957ebe8a08e5d2

Donn

The Invocation of Morrigan

As the Earth falls into sleep the Queen of Spirits is choosing those who will go to the Cauldron of Rebirth. She is Morrigan, the Great Queen of Phantoms, the Chooser of the Slain. She is the Battle Raven, the Red Woman, Mistress of the Cauldron.

Hear us now, Red One, Great Queen, Lady of the Reaping, Cauldron-Witch of Sorcery and Prophecy. We your children pray that you be with us, that you look kindly upon our holy rite, that you come into our Grove and give us your blessing.

We give due offering to you. We give you…

(Shaft)

Precious stone, that the Bones of the Earth may be clothed again in life.

(Fire)

Whiskey, that the Waters of Life May flow in us and Spirit indwell flesh.

(Tree)

Feathers, that your raven Eye watch over us in the Season of Sleep.

Be welcome among us Morrigan; Great Queen, accept our sacrifice!

297605698d5b7d5ae8523d9625710c05

Morrigan, the Great Queen of Phantoms

Artist link

C: Honoring the Ancestors

On the feast of Samhain the veils between the worlds are thin. We call to our Beloved Dead, the blessed Ancestors, to join our feast and receive due offering.

Come to the Gates, honored ones; hear our call, we your children who remember. We offer you our worship, our reverence and our love.

You who fill the empty womb, you who cause the seed to spring to spring, you who fill the breast with milk, receive now these offerings, made in your honor:

Apples, the Fruit of Life and Death.
Pork, the flesh of the Sacred Sow.
Hazel nuts, concentrated meat of wisdom.
We offer these…

(some of each offering made to the shaft)

To the ancient heroes of the Pagan World; those men and women who did the bidding of the Gods for the good of the folk.

(offering made)

To the honored Dead of the passed year; those women and men of our folk who inspired and guided our whole world.

(offerings made)

To our own Beloved Dead, Grandmothers-and-Fathers, family and friends who have gone ahead, we honor you and grieve for you. (offering made)

To all of you we give these fruits and meats that you may feast in joy in the Land of the Dead.

d91536af40f94224d7c53a06d1f1d8b0--spiritual-quotes-spiritual-life
Call to the Ancestors
Artist  Susan Seddon Boulet 

D: During the Praise Offerings

While the Praise Offerings are made, a wreath is passed among the people and all who wish tie a black ribbon onto the wreath in commemoration of their own dead. This wreath is then given to the fire at the Prayer of Sacrifice.

E: The Blessing

The Ale of Blessing flows in us, filling us with the magic of Morrigan and Donn. As the year turns, let us welcome the quiet of the Dark. Let the stillness of the land calm and satisfy our spirits, allowing us to receive the Harvest’s Bounty. Let the gain of the passing year be ours, to fill our lives with contentment. Let us welcome the Dead who wish to return to the living world, even as we remember those who depart. May we rest content as we pass the threshold of new beginnings.

The Death Song

(Repaganized from the Carmina Gadelica)

You go home this night to your home of winter,
To your home of fall, of spring, of summer,
You go home this night to the Turning House,
To your pleasant rest in the Land of Joy.

Rest you, rest, and away with sorrow,
Rest this night in the Mother’s Breast,
Rest you, rest, and away with sorrow,
Rest, O beloved, with the Mother’s Kiss.

In the Many Colored Land;
In the Land of the Dead;
In the Plain of Joy;
In the Land Beneath the Wave;
In the Land of Youth;
In the Land of the Ever-Living;
In the Revolving Castle, the House of Donn.

Rest in seven lights, beloved,
Rest in seven joys, beloved,
Rest in seven sleeps, beloved,
In the Grove of the Cauldron, Morrigan’s Shrine.

The shadow of death is on your face, beloved
But the Cauldron of Rebirth awaits you,
The threefold turning of your Fate,
When your rest has given you your peace.

So rest in the calm of all calms,
Rest in the wisdom of all wisdoms,
Rest in the love of all loves,
Rest in the Lord of Life and Death,
Rest in the Lady of Life and Death,

Till the Season of Turning
Till the Time of Returning
Till the Mystery of the Cauldron

9f63f0876f1643941ed03bc8cf841dfc--singers-apples

 

Squirrel contemplating how she is going to peel this apple for a Samhain Divination.

 

Shining Lakes Grove Samhain Rite – 1997

Written by Kami Landy of Shining Lakes Grove (SLG), with revisions by Rev. John “Fox” Adelmann and Rob Henderson.

Outline

  • Fire, allies, tree fire well/opening
  • Consecrate grounds
  • Briefing-at parking lot: censing and apple
  • Bonfire- Bardic & informal intro (call for stories)
  • Final story with “statement of purpose”
  • Fox’s warning about the night
  • Remove Fox – Outsiders…
  • Ana, Nature Spirits and Deities
  • Invite people to enjoy journey
  • Manannan, procession
  • Offerings- food, etc.
  • Ancestor invitation
  • Fox blows horn for dead
  • Dead blow horn and come in
  • Praise offerings
  • Dead lead dance. End by burning offering.
  • Divination- Lisa: nut hulls
  • Return- shared feast.
  • Cauldron blessing
  • Go back up hill- sing “Blood of the Ancients”
  • Ana- returning thanks
  • Build up the fire
  • Collective thank you to Nature Spirits, deities
  • Reconnecting meditation
  • Final hug, “Walk with Wisdom”

Parts

  • Greeter
  • Purifiers- one smudging, one offering apples
  • Storyteller/Bard
  • Seanfhear (old man)
  • People to call: Earth Mother, Nature Spirits, Deities, Manannan
  • Servers for the dead
  • Manannan
  • 3 or 4 “dead”
  • Drummers or musicians

Materials

  • 9 woods for the fire such as: yew, pine, oak, birch, willow, rowan, apple, holly, grapevine.
  • silver for the well
  • 20-30 luminaria lining the paths to the upper fire and to the Nemeton
  • Incense for purification: a mix of mugwort, sage and myrrh. Censer
  • Apple slices dipped in lemon juice (or salt water)
  • Lantern and bells for Manannan, conch for calling him
  • Horn for the dead to blow
  • Half-masks for the dead
  • Throne for Manannan, draped in silver/grey and blue/aqua.
  • Blanket, seats, etc. for the “feasthall” of the dead
  • A low table near them, for folks to place momentos of their own dead
  • Food, drink, etc. for the dead, in nice containers and with lovely tableware. Perhaps an enclosed candle for the center of their area.
  • Cups and possibly plates for sharing the feast.
  • Thing to pass during praise offering and then burn: a basket of nuts and apples

Two or three people, possibly the “dead” (dressed in mundanes), need to go to the Arb and redirect people to Botsford, then *quietly* come to the woods near the Nemeton and wait to be called.

At Botsford’s at 7:30PM, the fire lit at sundown, the Nemeton fire and well opened and hallowed ahead of the rite, and the Allies (Native American spirits) welcomed and invited at that time.

There should be a person with a candle lantern greeting people in the parking area, telling them that the ritual begins at the upper fire, with storytelling as befits the season, so they should prepare themselves for an otherworldly journey and proceed to the fire. On the path, there will be one person smudging with incense something purifying, opening and warning, such as a mix of sage, mugwort and myrrh. Another person will offer them slices of apple dipped in salt water or lemon juice the otherworld feast, gift of Manannan.

At the fire, begin with the Bardic invocation. This will be offered by Richard MacKelley, who then gets people singing and telling stories.

Storytelling

(various people – encouraged by the bard, Richard MacKelley)

Centering

Come! Draw near the fire, draw in.
Take it within you, draw in.
Taste the fire of inspiration
That is the fire within the head,
The gift of the gods that warms the spirit. But look inside now, to the deep upwelling well of wisdom
Stilling you, touching you from deep within the earth.
The year turns to stillness,
Look within at the spark of warmth in your center,
The life which nurtured, rests at the heart of your self.
Follow it, to the sheltered cave of birth,
And the deep pool of vision that lies within it,
Giving knowledge of ancient ones returning,
And of lessons learned and time to come.
See there, a shadowed glimpse of the sun-lit land, the summer land
Where the blessed dead feast and love
And test their skills in endless rounds of pleasure,
A life more bright than life.
Who shall you see there?
Who will come to you,
To tell you of the wonders they know in that place of many wonders?
Which dear one holds you in memory,
As you hold them, and cares still for your welfare?
See them in your minds eye, in the eye of the pool of vision,
And share with them love and honor, laughter and tears of healing.
Peace and blessing be on them,
And on us who greet them with song and story,
Feast and dance this day.
Beckon to the one you have seen, to join us for this time,
To be with us in memory,
In the realm of life as we reach toward them in the land of youth.
And taking with you memory of the beloved dead,
Of those who have led the way, return to the cave of birth.
See yourself looking into that deep pool of vision
For the spark of life’s warmth, and now turning outwards once again,
We call to them,
Come! Draw near the fire.

samhain-bonfirebonfire

b-for-bewitching-samhain-bonfire

Samhain Bonfires

How Manannan brought the gifts of invisibility and immortality to the Tuatha De Danann. (Kami)

It happened, long ago, when the gods retired to the sunlit lands and made the gateways through the hollow hills, leaving the changing realm of life to the sons of Mil, that Manannan mac Lir brought to them certain gifts, that they might live forever unchanging and move unseen among the sons of men.

Now, many and wondrous were the gifts that the Tuatha De Danann had brought with them to Erin’s shores, and some of those they left for the use of humanity. Among those were the Lia Fail, the stone of kingship, which sat until the days of our grandfathers upon the hill of Tara. The well of Segais, the well of wisdom, which rises at the bottom of the sea, became the source of the river Boyne, from which those who dared might drink their fill. Gifted to Finn macCumhal was the inexhaustible crane bag, made from the skin of the woman Aife when she had been transformed into the shape of that bird, which held all great and magical treasures.

Other great treasures were lost beyond all finding, gone into the mists of legend. But in that time of change, three new gifts they gained. First was the cloak of mist which enabled the Tuatha De Danann to walk unseen among men. Second was the silver apple branch of Emain Abhlach, the plain of apples, which banished all sorrow and fatigue. So sweet was its sound that it entertained all who heard it, better than the finest of music. Third was the “Feast of Age”. No one who ate of it grew old, for as often as they were eaten, the pigs which made up this feast were renewed in the morning, and those who had eaten of them likewise. In this way did Manannan, gracious host, keep the Tuatha De Danann in the land of promise, and this gift is shared with the blessed dead, who come to sit among the gods. There they have the sweetest of wine and the best of foods, fierce fighting and acts of valor by day and all wounds vanishing by night so that there may also be eloquence and words of gentle love in that hall. And in time, perhaps those who died in this world that they may be born there, die in that world and are reborn to this, for did not the druid say; “death is but the middle of a very long life?”

Songs

From far across this mortal plain,
Mothers and Fathers of old,
We ask that you return again,
Mothers and Fathers of old.
To share with us the mystery,
And secrets long untold,
Of the ancient ways we seek to reclaim,
Mothers and Fathers of old.

It’s the blood of the ancients
That runs through our veins
And the forms change,
But the circle of life remains.

[encourage people to tell stories of their relatives and ancestors]

Final story: How Cormac macAirt went to Tir na nOg (Kami)

When Cormac mac Airt was king of Ireland, he was a good king and wise, his people prospered and he was greatly loved. And if he was well loved, his children is wife was adored. And if his wife was adored, his children were cherished even moreso.

One day, as he walked upon the plain, he saw a youth playing. This youth had shining hair so fine it was like silver, and cheeks red as apples, his eyes flashed and his smile could bring an answering smile from a stone. In his hand he carried an apple branch, and upon it were nine silver apples. As he shook the branch, the sound of bells rang out, so sweet and pure that Cormac stood to listen, and found the cares and weariness of the day lifted from him.

So deep his peace and pleasure, he determined to have this branch to bring the same to his people, no matter what the cost. He asked the youth what he would take for this branch, and the youth said that he would have Cormac’s wife and son and daughter upon the following day. Well, this shocked and saddened Cormac, for his family were the sun and moon to him, but a bargain is a bargain and he could not take back his word. So Cormac returned to his hall and told the people what had happened. There was much wailing and crying out, for the people were loath to lose their queen and heirs, but Cormac shook the branch for them, and they were contented and set at peace.

The next day, the youth came and took Cormac’s wife and son and daughter away, and the people began to wail again, but once more Cormac shook the apple branch and the people were quieted. So they continued on for a year. The work went faster, for whenever Cormac shook the branch all fatigue was swept away. There were fewer quarrels, for whenever tempers flared Cormac shook the branch and people calmed.

There was peace and prosperity among all the people at Tara, but after a year, Cormac was no longer contented. He missed his family more than the branch could soothe. So one misty Autumn morning he left his high seat and walked away Westward, following the path his family had taken.

After a day and a night and a day, Cormac found himself in an unfamiliar land. Bright were the colors, soft the grass, tall the trees, and the sound of birds was like sweet speech to his ears. As he walked, he came to places of wonder. First, he saw a group of men thatching a house with feathers. No sooner had they got one side done, but they saw that they were out of feathers and began to hunt for more. And while they sought more feathers, those of the first half of the roof would blow away, so that the task was never done. Cormac watched, but said nothing, for he could see no sense in this task.

Again he journeyed on, until he came to a place where a fire was lit for making charcoal, and a woodsman was dragging up immense trees. He brought one, and laid it on the fire, but in the time it took him to go for the second tree, the first was all consumed, so that he could never sit to warm himself. Once again, Cormac watched a while but said nothing, then journeyed on.

Next he came to a barren plain whereon he saw a giant head. Into the skull poured one great stream, and from the eyes and ears and mouth flowed five smaller ones, in all directions. He wondered at this marvel, and traveled on across the plain to where he saw a brightly lit and welcoming house.

The door was opened by a fine lady who welcomed him in with the cup of blessing and wash water for his feet. A table was set for feasting, and a grand lord sat in the high seat. On the hearth a pig was roasting, yet it showed no sign of being cooked at all. The lord said to him; “Be welcome to my house, Cormac macAirt, king of Ireland. Come, let me show you a marvel. You see that pig, roasting on the spit? Well it has this quality- that if four truths are told while turning it, it will be fully cooked.”

The warrior, his wife, a servant each told a tale, and their fourths were cooked, and then Cormac told how he lost his family, and the feast was ready. Then the warrior showed Cormac the golden cup with which he had been greeted and said; “You see this cup, well it has the property that, when three lies are told near it, it will break, and three truths told near it will make it whole again.”

They demonstrated it’s property by means of some nonsense, and when it was said to Cormac; “neither your wife nor your daughter has been unfaithful, nor has your son slept with any woman,” it came back together.

Then the warrior revealed himself as Manannan macLir and asked whether he and his people had been happy in the last year. Cormac told him truthfully that the people had been contented, peaceful and productive, yet missed their royal family almost as much as Cormac himself had missed them.

So Manannan told Cormac that they would soon be with him once more and said; “Many times have I visited your realm, seen and unseen. Many times have I invited you to visit me in mine. Not until now have I prevailed upon you to accept my hospitality.”

Then through an inner door came the most beautiful sight ever to meet the eyes of Cormac macAirt – his wife and daughter and son, smiling in joy to greet him. Together they laughed and wept and hugged, looked at one another long and deeply to see that all were well, and then they sat at last to the feasting. As the dined, Cormac told of the marvels he had seen while crossing the plane. Manannan explained them; the thatching of feathers were the words of poets, who gain no fame nor give any great thought to their words, so that they are all blown away and the world left unchanged. The log that burned before the man could cook his supper, was the work of those who labor for another’s gain, not gaining pride nor sustenance from their efforts. And the great skull was the well of wisdom, flowing into the head and being expressed by the senses.

A gracious host was Manannan mac Lir, and the best of companions his wife, and the night passed pleasantly indeed, but as the sky began to pale, Manannan made a gift to Cormac of the apple branch and the cup of truth, and sent the family off to bed. When they awoke, they were once more upon the plane of Tara, and a year had passed since Cormac’s leaving. Great was the rejoicing when they returned to the hall. And that is how Cormac mac Airt won the silver branch of soothing from Manannan mac Lir.


Fox, coming in as the seanfhear – the old man:

[wanders around the fire, muttering at people, then turns and tosses in some flash powder]

Hear me, children of this earthly realm;
Beware your words this night,
Beware of those who hear unseen,
Beware of hidden ways between
The world of the living and
The sunlit summer land.
It is a night of death,
The ending of the year,
The dying of the light,
The dimming of the sun’s great fire.
Do you not fear the darkness?
See shadows move within the forest;
Which is yet more fearsome. The
dark itself, or what is faintly seen in darkness,
Shadows and mysteries of past and time to come?
So have a care not to wander off your well-marked paths,
Nor speak lightly now of ones long gone,
For they may be among you at this turning of the year.
Beware!

Outsiders Invocation (Rob):

Begone, old man! You bring a note of confusion and discord to our ritual this night. We have not need of your scare-stories here. Leave the ordered circle of our firelight and do not return!

Seanfhear:

Ignore my warning at your peril. I have spoken to you, what comes after, none may say. I say to you again- go home, where it is safe and warm and bright, and do not trouble the wandering spirits with your foolishness. [leaves]

Call to Ana (Kore):

We’re the children of the earth, what have we to fear from any creature, living or dead? Trust the earth to continue, our River Mother Ana to preserve us in our place upon the earth, as she has always done. As long as we flow along with her, what have we to fear from the turning of time or any spirits out of time? They, too have belonged to the earth. Ana! Mother, You are with us this night, as every other, and we take joy in your fluid grace, slowing now and peaceful with the coming of the time of sleep. Share our journeys, as we journey on with you.

Call to Nature spirits (Matt): [a voice speaks up from around the fire]

You call us children of the earth. Then look to the first children of the earth, bear and deer and tree and salmon, eagle and raccoon and squirrel: hunters and hunted. They know well the cycles of life and death, and meet them without fear, for though there is an ending in death, yet there is in time a return. So let us be led by their wisdom, to take joy in life and adventure in death, to honor change and the steadfastness of life’s return. The spirits of nature shall lead and join us on our journeys. We welcome them among us. Hail to you who know the wisdom of the earth! Beannachai agaibh!

 

9c8490c7eff79a4712bf3e8ed8aad94c--celtic-goddess-goddess-art59bae506e5089972b9da83775ef646c8--celtic-mythology-crows-ravens (1)a4ed2447947f5027622baf5bb7cea82cDeities (Raven): [standing up, addressing the fire]

 

And I call to the gods of our people, who instruct and protect us in all things. They will go before us to show the way, and guard us that our steps be sure and strong. We are a people of courage, of wisdom, of vision and adventure as our gods themselves. Therefore, I call to Lugh our father, Bile’ and Danu the first ones, Brid of the hearthfire, Ar’n the lusty and the Stag God who leaps in splendor unnamed, to be welcome in our rites and on our journeys, in this sacred day and time and place. Beannachai agaibh!

Rob: It is indeed a night of mystery. Let us call to Manannan to guide us, lest we be lost in the mists of change.

[hand out bells to people around fire]

Call to Manannan (Rob):

[blow conch]

Manannan comes, he comes
Even to our fire he comes.
From beyond the sea’s nine waves he comes,
From beyond the isle of Donn he comes,
Lighting the moonlit path of mist he comes,
Showing us hidden gates he comes,
Guiding his sacred guests he comes,
Leading the longed-for dead he comes,
To our calling,
to our greeting,
to our blessing
to our welcome,
[all ring bells]
To the feasting of the night of Samhain he comes,

[Pause. Wait for him to arrive.]

[Manannan (Marae) steps forward silently, lantern in hand]

Welcome, Manannan, honored lord, hallowed guest, high one, Failte romhat! Grey one, what would you have of us this night?

[Manannan gestures to everyone to rise and follow him]

 

Manannan

Manannan Mac Lir

[begin procession, ringing bells for Manannan]

[Upon arriving at the Nemeton, people are quietly directed to bring food-offerings to the work altar, opposite the place of the dead. These ushers will sit to the right of the dead and be willing to help serve them.]

[people call to their beloved dead, led by Rob]

Seanfhear (Fox):

Come ancient ones from days long past, come you whose feet knew clay in recent years, come you who gave flesh to your children and you who give loan of this place, and you who teach the paths of spirit. Come, ancestors well-loved and long-remembered, Come! You who have been called by name, come and share in the feast.

[Fox blows horn for dead. Victor blows the horn of the dead.]

[The dead come and take their seats]

Wait! You call this a feast? Where are the offerings of hospitality?

[3 or 4 servers carry food to the dead]

Praise offerings (Rob begins):

We are honored to be here with you. I have brought an offering, a token of esteem, to convey love and blessing.

[does own praise offering, passes the basket]

[pass the basket, each person may make an offering as it comes to them, or merely add energy to it and pass it on. When it gets to the ushers. one of them carries it past the dead, Manannan and the Seanfhear to the next person. When the basket gets back to Rob, he will take it and place it before the dead. This is the signal to begin the final offering.]

Final offering: [The dead take up the basket and lead us in a snake dance – Fox begins the drumming for it.]

Song

You who dwell in the summer land,
Honored dead, join us in the dance.
By our side receive our love today,
Dance with us on this holy day.

 

440px-The_Death_of_King_Arthur
Summerland where King Arthur awaits his return

[At the dance’s conclusion, the basket is taken to Manannan; an offering from the dead to their lord. He takes it, makes a gesture of acceptance, and passes it to the seer.]

Divination (Lisa): [The basket of nuts and apples is tossed in the fire and scried into for the message of the ancestors and the direction of the coming year.]

Seanfhear: [One of the “dead” whispers in Fox’s ear, who says:]

Those you have called here are pleased with your offerings of hospitality. They bid you share in the feast.

Return: [sharing the feast. People may continue to bring offerings to the dead or to tell stories about their loved ones or to suggest songs.]

Cauldron blessing – Seanfhear:

We thank you for joining us. It is long since we have been so well treated. But now the feast is ended. The living cannot thrive and grow in the land of the ever-young, as the dead cannot live anymore in the realm of time. Leave now, return to your proper place, and do not forget what can happen when you venture abroad on the night when the year turns to winter. Take with you as you go, your memory, and also if you dare, a blessing from the cauldron of health, wealth and wisdom, for you have shown honor as befits a good guest.

[Manannan will hand the cauldron to one of the “dead”, who will hold it by the gate out of the Nemeton so people can take what they need as they leave.]

[process back up hill]

Song

It’s the blood of the ancients
That runs through our veins
And the forms change
But the circle of life remains.

Ana – return and thanks (Kore):

We who have journeyed far from familiar ways, we thank you for keeping our place in the world we know. You have held for us a place upon the earth, the realm of life, and we rejoice now to greet you with love and honor, Ana, our mother, daughter of this ancient land. Though we may leave this place and return to our homes, you are ever in our hearts for you are the river of life to us and we do not leave your presence, within this world.

[build up the upper fire, we’re all freezing!]

Thanks to spirits and deities who journeyed with us (Matt): First children of the earth, ancient high and shining ones, you spirits and deities who have joined us on this journey, for your guidance and protection, your joyful awesome presence on this journey, no less for all the blessings you bring to our lives, we give you thanks and blessing and honor this day that marks the boundary- time of the year. Slan leibh!

Reconnecting Meditation (Kami):

So- we have journeyed far, within ourselves and between realms. Now we return to ourselves, to the ways and world we know, wiser perhaps, and comforted by contact with loved ones from across the endless sea. The gate now is closed, forms are firm, each place is but itself. And yet all realms adjoin; pass through the mists or the archway or cave, the twilight and shoreline, the boundary and wasteland can be the gate. All worlds are here. And so are we.

Song: Walk with Wisdom

 

 

turnip-o-lanterns

Turnip the Lights the Samhain rite is just getting going!

 

Even More Ár nDraíocht Féin Samhain rites.

 

How I was taught to honor the Druid Sacred Times.   Three Holy Days, Samhain, The Festival of Bridgit (Spring Cleaning’s origins), and Beltane, as well as One blessing of the (Festival of First Harvest,  test of champions, and handfastening time, known as Lughnasdh or rather the Taltian Games)

celtic-new-year-in-celtic-cultures-in-britain-and-western-europe-the-G39GCW

Druids Harvesting Mistletoe on the New Year

 

40d2bb80d3f0c9081db3540b3128b572

A Celtic New Year triquetra honoring the fact that we as Druids begin in the season of Winter as our day begins at Sunset.

In darkness and silence wisdom is more easily garnered. Our cycle of Life begins with Death, for the land is made fecund as decomposition of materials occur.

The Celtic Year begins at Samhain on the Third Day,   November 1.

 

This slideshow requires JavaScript.

Next comes the Festival of Brigit, a three day Hearth Festival that is spent cleaning, clearing, and purifying of Hearth and Home. I prefer to call it Lady’s Day.  The First, Second, and Third of February, when we find out if more Winter will remain or skirt away on a pleasant warming breeze.

 

This slideshow requires JavaScript.

Next comes Beltane beginning on April 30, May 1, and May 2.

 

This slideshow requires JavaScript.

Then we swing round to the week long festival honoring the sacrifice of the harvest Goddess Taltiu and her games presented to honor her life by her foster son Lugh the Long Hand.  This is the festival of First harvest and the Taltian Games (the Celtic competitive games. The name of the competition has changed to honor Celtic Heritage, because many who now compete no longer honor the old ways. The Festival is now called the Highland Games.  It sadly no longer coincides with the Festival of Taltiu.  Druids would come and give a blessing to open the games and the First Harvest.

 

This slideshow requires JavaScript.

The Harvest Foods from an American Samhain.

Now we complete the year. The final harvest is reaped, stored, and blessed to assure lasting through Winter and the lean times.  The feast table is laid out.  The Feasting occurs as we close out the Celtic Year.  Today’s Calendar this is celebrated on the 30th of October.   Then with bellies full we go to sleep and rise to the day that is in between.

 

hqdefault (1)

We set out a place at the table with our loved one’s favorite foods and celebrate their lives.   This is the day we specifically honor those who have died this year. We also honor the ancestors during this time of contemplation and honoring.

This slideshow requires JavaScript.

Candles can be lit in the windows to aid in guiding the spirits on their journey if they wish to return for a visit.  Be sure to empower the candles to invite specific spirits, as the veil is thin as to avoid spiritual lurkers.  The day of honoring our ancestors is October 31st.  We are grateful that they have moved on after learning the lessons they needed to learn.  We honor their wisdom, their humor,  and their love.

 

b8c704d3e71b6d311a4e74a50263f1ff--celtic-festival-modern-halloween

It is always good to hang a series of Spirit Ward Turnips or Gourds on the 31st of October for extra protection.

 

Much like the OBAD I do not publish my rites online.  I do observe Moon Cycles, as that energy is very useful.   I call and honor Land (all things manifest from sub atomic particles to planets and everything in between)  Land is represented by the World Tree and the staff  carry.   I call and honor Sea which is represented by the calling out to the nine waves, beyond which the divine lives, the ancestors also reside across the Sea.  I symbolically represent this by a simple bowl of water.  I call and honor Sky which is represented by the Sacred Fire into which messages are incinerated and rise to permeate and join with the consciousness of the Divine Oneness.  Land incorporates the traditional Wiccan elements, I do not call them, unless I am performing a Wiccan Circle.